
Piața Centrală between 6:40 and 7:30
The awnings turn the low sun into a softbox for about fifty minutes. After that the light goes flat and the aisles fill up. How we scheduled a food story around it.
Two halls off Strada Mateevici, a crew of five, and edited selects in your inbox two days after we wrap.
Send a brief, get a plan in a day
Jobs 47 since January. Five of them here, the rest under NDA or still in the grading room.

A 3-minute film and 22 portraits for a family winery, shot 80 metres under Cricova.

Autumn lookbook for a Chișinău tailor, two evenings chasing the last sun on Rîșcani.

Bottle and table stills for a new label, one hard window.

Food editorial at Piața Centrală before the crowds.

City festival trailer, Ștefan cel Mare at 7:20 on a Sunday.
Full case notes, crew lists and delivery times are on the work page.
Open the case notesMost jobs need two of these. Many need all three, and then the same people carry the pictures from the first frame to the export.

Campaigns, portraits, catalogue and table work, lit by our south-west windows when the season allows and by strobes when it does not.

Brand films, interviews and short social cuts, shot in the halls, on location around Moldova, or on the street with city permits we file ourselves.

Grading, retouching and sound for our own shoots and for footage you bring in on a drive, in a calibrated room at the back of Hall A.
A typical two-day job for a Chișinău brand. Bigger productions stretch the middle, never the end.


You send the product, the date it must go live and where the pictures will sit. We reply the same working day with a crew, a hall, a shot list draft and a price in lei.

For location days we walk the street at the hour we will shoot it. In late October the sun leaves Ștefan cel Mare boulevard around 16:30, so we plan the wide shots for the morning.

Call time 8:00, hot lunch in the courtyard kitchen at 13:00, wrap by 19:00. A tethered screen sits by the set so you approve frames as they land, not a week later.

Selects go up in a private gallery within two days. Graded film and retouched finals follow, along with RAW files on a drive you keep. We hold a backup for 24 months.
Ground floor, a gate wide enough for a van, and a freight lift to Hall B. Rent the halls with our crew or on your own.

11.4 by 8.2 metres, a 5.1-metre ceiling, a white cove painted fresh every Monday, full blackout and three-phase power for big lamps.


Three arched windows face south-west. In October sun reaches the parquet at 14:00 and leaves at 16:50; in June we draw the linen at noon.
Hall B for four hours with house lights. Full rates, kit and crew are on the studio page.
What we learn on jobs, written down so we stop relearning it.

The awnings turn the low sun into a softbox for about fifty minutes. After that the light goes flat and the aisles fill up. How we scheduled a food story around it.
Keeping lenses clear when you walk a camera down into a wine cellar.
When the sun hits the floor, month by month, so clients can book the hour and not just the day.
Who at the Primăria signs what, and how many days to leave for it.
Anything missing, ask on the phone. Weekdays 9:00 to 19:00.
You see them on the tethered screen during the shoot. Edited selects arrive in a private gallery within 48 hours, retouched finals within five working days. Film assemblies take four working days.
Yes, across Moldova and in Romania. Orhei, Cricova and Codru wineries are regular day trips. For anything over 60 km we add travel time and per diems to the estimate, nothing hidden.
Yes. Halls rent from four hours with house lights, stands and the cove. A studio manager stays on site to open the kit room and help with load-in through the courtyard.
Romanian, Russian and English on set. Subtitles and voice-over in all three are part of the film price.
You get the usage rights written into the estimate, usually unlimited online use and two years of print. Authorship stays with the photographer under Moldovan copyright law, which is standard and costs you nothing.
We hold a weather day in the plan and move the shoot to it at no charge if the forecast the evening before is worse than agreed. If you would rather shoot anyway, Hall B is usually free as a cover set.
Write two lines or twenty. We answer the same working day with dates, a crew and a price.